The Shadow District Page 28

  Flóvent had tried not to dwell too much on Jónatan’s tragic death, had tried to bury the memory he found so hard to endure. But it hadn’t really worked. He stamped his feet and raised his eyes to gaze out over the lake into the wide blue yonder, and as he did so the shades of two girls came flying back to haunt him, one from the dark corner behind the National Theatre, the other from the cliffs of Dettifoss. As though they were begging him not to forget but to stand vigil over their memory, as though they were the only thing of true value in this newly independent land.

  53

  Deep in a remote cleft in the lava, too deep for the roar of the waterfall to reach, lies the realm of eternal cold and darkness. The cleft narrows as it deepens, its rugged walls sheer and perilous, its depths inaccessible even to raven and fox. The walls are overgrown with ferns and mosses, down which water seeps from the nearby springs, transforming the fissure into a fairy-tale palace in frosty weather. At the bottom a cold silence reigns, which neither the moaning of the wind nor the crying of birds can break, ensuring that the palace’s only guest, the unfortunate elf maiden, never wakes from her long sleep.

  Read on for a sample of the next

  Reykjavík Wartime Mystery

  by Arnaldur Indriðason.

  1

  The Súd steered a careful course around the frigates and minesweepers in the approaches to Reykjavík harbour before finally coming alongside the docks. Shortly afterwards the passengers began to disembark, one after the other, many of them shaky on their legs and relieved to have dry land underfoot once more. The voyage had been uneventful until they reached Faxaflói Bay, where the wind had veered to the south-west bringing squalls of rain and the ship had begun to roll. Most of the passengers stayed below decks, where a sour reek of wet clothes pervaded the cramped quarters. Several had been seasick during this last stage, Eyvindur among them.

  He had boarded the ship at Ísafjördur, toting his two battered suitcases, and slept for most of the way, worn out from trekking round the villages and farms of the West Fjords. The cases contained tins of polish: Meltonian for shoes and Poliflor for furniture. He was also lugging around a sample dinner service that the wholesaler had imported from Holland just before the war.

  Eyvindur had done quite well with the shoe and furniture polish, but in spite of his best efforts to sing the praises of the Dutch tableware, it seemed there was no market for such goods in these treacherous times. His heart really wasn’t in it, and he hadn’t even bothered to visit all the places that normally formed part of his route. Somehow he couldn’t summon the powers of persuasion, that almost religious fervour which, according to the wholesaler, all successful salesmen required, and so he had returned clutching only a handful of orders. Eyvindur had rather a bad conscience about this. He felt he could have made more of an effort and knew that the few orders he had secured would make little impression on the wholesaler’s mountain of stock.

  The trouble was he had been in a bit of a state when he set out from Reykjavík a fortnight ago. That was one reason the trip hadn’t gone as well as it should. Moments before he was due to leave he had made an accusation in his typically tactless way, which led to a row that had weighed on him throughout the trip. Vera had reacted furiously, calling him all kinds of ugly names, and he had started to regret his words as soon as the Súd sailed out of Reykjavík harbour. He’d had two weeks to brood and find excuses for his behaviour, though to be honest he still wasn’t convinced that he had been the one in the wrong. Yet her outrage had struck him as genuine when she retorted that she couldn’t believe he would accuse her of such a thing. She had burst into tears, locked herself in the bedroom and refused to speak to him. In danger of missing his boat, Eyvindur had snatched up the cases of polish and tableware and run out of the door, wishing with all his heart that he had a different job, one that didn’t force him to spend long periods away from home while Vera got up to goodness knows what.

  These thoughts were still rankling as he leapt ashore and half ran towards the centre of town, hurrying as fast as his legs would carry him, plump, a little splay-footed and out of condition in spite of his age, clad in his trench coat, a case in either hand. The rain was coming down more heavily now and water trickled from the brim of his hat, getting in his eyes and soaking his feet. He took refuge under the porch of the Reykjavík Pharmacy and peered round the corner into Austurvöllur Square. A small troop of soldiers was marching past Parliament House. The Americans were in the process of taking over from the British, and you could hardly move these days for Yanks, army trucks and jeeps, artillery and sandbags – all the trappings of military occupation. The quiet little town was unrecognisable.

  There was a time when Vera used to meet him off the ship and they would walk home together, she chatting about what she had been up to in his absence, he telling her about his latest trip, the characters he’d met and the goods he’d managed to shift. He had admitted that he wasn’t sure how long he would last in this job. He wasn’t really cut out to be a salesman. Didn’t have the necessary gift of the gab. Wasn’t that comfortable in social situations unlike, say, Felix, who positively radiated self-confidence.

  That was true of Runki too. He sometimes sailed on the Súd, his cases crammed full of headgear from Luton. How Eyvindur envied Runki his nerve; he was always self-assured, even cocky, never had any trouble getting people’s attention. He was a born salesman. It was all about confidence. While Eyvindur was getting his tongue in a twist over the Dutch dinner service, all over town people were donning Runki’s new hats, smug in the belief that they had got themselves a bargain.

  Too impatient to wait for the weather to let up, Eyvindur grabbed his cases again, ducked his head and ran across the square into the wind and rain, that cold, late-summer rain that hung like a low canopy over the town. He and Vera lived in the west end, in a small flat that belonged to his father’s brother. Rents were astronomical these days with all the people flooding in from the countryside to the towns, especially Reykjavík, lured by the prospect of working for the army, for hard cash and a better life. His uncle, who owned several properties in town, was raking in the profits, though he charged Eyvindur a fair rent. Even so, Eyvindur found it steep enough and occasionally had to ask for more time when his self-confidence was at its lowest ebb and he failed to bring home enough in commission.

  The flat was on the ground floor of a three-storey concrete building. He unlocked the front door, then the door to the flat, before hastily retrieving his cases from the step outside and carrying them in. As he did so he called out to his girlfriend, who he assumed was waiting for him inside.

  ‘Vera? Vera darling?’

  There was no answer. He closed the door, switched on the light and took a moment to catch his breath. He needn’t have bothered to hurry over the last stretch: Vera wasn’t home. She must have gone out, which meant he would have to wait a little longer before he could beg her forgiveness for his crass accusations. He’d been rehearsing what he was going to say – would have to say – if he was going to make things right again.

  His outer clothes were sopping wet, so he took off his hat and laid his overcoat across a chair in the living room, then hung his jacket in the wardrobe by the door. Opening one of the cases, he took out a pound of genuine coffee that he had managed to get hold of in the West Fjords, hoping to give Vera a nice surprise. He was just about to go into the kitchen when he paused. Something wasn’t right.

  Turning back, Eyvindur opened the wardrobe again. His jacket was hanging there, along with a second, longer jacket of his and another coat. It was what was missing that brought him up short: Vera’s clothes had gone. The shoes she kept in the bottom weren’t there. Nor were her two coats. He stood for a moment, staring blankly into the cupboard, then walked into the bedroom. There was another, larger wardrobe there with drawers for socks and underwear and a rail for dresses and shirts. Eyvindur opened it and pulled out the drawers, to be confronted by the astonishing fact that all Vera’s clothes had
disappeared. His own things were still in their usual place but there wasn’t a single feminine garment left.

  He couldn’t believe his eyes. In a daze, he went over to Vera’s dressing table and opened the drawers and compartments: it was the same story. Had she left him? Moved out?

  He sank down on the bed, his thoughts miles away, recalling what Runki had said about Vera when Runki thought he couldn’t hear. The day he caught the boat to the West Fjords they had bumped into each other at Hot and Cold, a restaurant popular with soldiers. Runki had been there with a friend, shovelling down fish and chips, and as soon as he thought Eyvindur was safely out of earshot he had dropped that remark about Vera.

  An absurd lie – he should have gone back and rammed the words down the bastard’s throat.

  The lie that had made Vera so angry, so hurt when he was stupid enough to fling it in her face.

  Eyvindur stared into the empty drawers and thumped his fist on the bed. Deep down he had been afraid of this. He was no longer so sure Runki’s remark had been an outrageous lie – that Vera was mixed up in the Situation.

  And then there was all that nonsense his old classmate, that dirty rat Felix, had been rambling on about when they ran into each other in Ísafjördur. Was there any truth to it? All that stuff about the school and those experiments. Or was he simply out to humiliate Eyvindur because he was drunk, and hateful, just like he used to be in the old days when Eyvindur had laboured under the foolish belief that they were friends?

  2

  Flóvent surveyed the flat but could see no signs of a struggle, despite the aftermath of violence confronting him in all its horror. On the floor lay the body of a man, shot through the head. It looked like an execution pure and simple; no sign that the victim had tried to run. No chairs had been overturned. No tables knocked aside. The pictures were hanging perfectly straight on the walls. The windows were intact and fastened shut, so it could hardly have been a break-in. The door of the flat was undamaged too and locked. The man now lying on the floor with a bullet hole in the back of his head must have opened the door to his assailant or left it open, unaware that it would be the last thing he did. It looked as though the victim had just walked in when the attack took place, since he was still in his overcoat, the front-door key clutched in his hand. At first glance Flóvent couldn’t see that anything had been stolen. The visitor must have come here to kill, and had carried out this intention with such brutality that the first police officers to arrive at the scene were still in shock. One had thrown up in the living room. The other was standing outside, protesting that there was no way he was going in there again.

  The first thing Flóvent had done was shoo away those who had no direct role in the investigation: the policemen who had trampled all over the scene; the witness who had raised the alarm; the nosy neighbours who, when informed that a gun had been fired in the flat, were unable to say for certain if they’d heard a shot. The only people left inside were Flóvent himself and the district medical officer who had come to confirm the man’s death.

  ‘Of course he’ll have died instantly,’ said the doctor, a short, scrawny man whose prominent teeth were clamped on a pipe that he hardly ever removed from his mouth. ‘The shot was fired at such close quarters that it could only end one way,’ he continued, exhaling smoke with every word. ‘The bullet has exited through his eye here, causing this God-awful mess.’ He contemplated the congealed pool of blood that had spread out over the floorboards. One of the policemen had carelessly stepped in the dark puddle, slipped and almost fallen. You could see the skid mark of his shoe in the blood. There were splashes on the furniture and walls. Lumps of brain on the curtains. The killer had shot through a thick cushion to muffle the noise, then tossed it back on the sofa. The exposed side of the victim’s face had been almost entirely blown away.

  Flóvent focused on trying to remember the protocol for examining a crime scene. Murders didn’t happen every day in Reykjavík and he was relatively new to the job, so he didn’t want to make any mistakes. He had only been with Reykjavík’s Criminal Investigation Department for a few years, but he had also done a six-month stint with the Edinburgh CID, where he had learnt a lot about the theory and practice of detective work. The victim appeared to be in his twenties. He had thinning hair; his suit and coat were threadbare, his shoes cheap. He appeared to have been forced down on his knees, then fallen forward when he took the bullet to the back of the head. A single shot in exactly the right place. But for some reason this had not been enough. After the execution, the killer had stuck a finger in the wound and daubed the dead man’s forehead with blood. What possible motive could he have had? Was it a signature of some sort? A comment that the perpetrator regarded as important, though its significance was lost on Flóvent? Was it a justification? An explanation? Second thoughts? Remorse? All of these? Or none? Or a challenge, intended to convey the message that the person who did this had no regrets? Flóvent shook his head. The clumsily smeared mark meant nothing to him.

  The bullet itself proved easy to find since it was buried in a floorboard. Flóvent marked the spot before prising the bullet out with his pocket knife and examining it in his palm. He recognised the make, as ballistics was a special interest of his. This was one of the innovations in forensic detection that he was keen to introduce to Iceland. Fingerprinting too. And the practice of systematically photographing felons and the scenes of major crimes. Whenever necessary, he called out a photographer he knew who had a studio in town. Bit by bit his department was building up an archive, though it was still very rudimentary and incomplete.

  ‘The person who fired the shot must have been standing behind him, presumably holding the gun at arm’s length,’ said the doctor, removing his pipe for a moment before clamping it between his teeth again. ‘So you ought to be able to get a rough idea of his height.’

  ‘Yes,’ said Flóvent. ‘I was wondering about that. We can’t assume the murderer was a man. It could have been a woman.’

  ‘Well, I don’t know. Would a woman be capable of this? Somehow I doubt it.’

  ‘I wouldn’t rule it out.’

  ‘It was clearly an execution,’ said the doctor, exhaling smoke. ‘I’ve never seen anything like it. Forced to kneel on the floor of his own home and shot like a dog. You’d have to be a cold-blooded bastard to do a thing like that.’

  ‘And smear his forehead with blood?’

  ‘Again, I don’t know … I’ve no idea what that’s supposed to mean.’

  ‘When do you reckon it happened?’

  ‘Not that long ago,’ said the doctor, looking at the congealed blood on the floor. ‘Twelve hours, give or take. The post-mortem will give us a better estimate.’

  ‘Yesterday evening, then?’ said Flóvent.

  At this point the photographer arrived, armed with his tripod and the Speed Graphic camera he had acquired before the war. Having greeted Flóvent and the doctor, he looked around the room, dispassionately appraising the scene, then went about his business methodically, setting up the tripod, removing the camera from its case, fixing it up and inserting the film holder in the back. Each holder contained two pieces of film. The photographer had come equipped with a number of these holders and extra flashbulbs as well.

  ‘How many shots do you want?’ he asked.

  ‘Take several,’ said Flóvent.

  ‘Was it a soldier?’ the photographer asked as he paused to replace the film holder then fixed the camera to the tripod again and changed the bulb.

  ‘What makes you think that?’

  ‘Doesn’t it look like the work of a soldier?’ The photographer was a world-weary man of about sixty. Flóvent had never seen him smile.

  ‘Maybe,’ said Flóvent distractedly. He was searching for clues to the identity of the gunman: any evidence he might have left behind such as footprints, clothing, cigarette ash. It looked as if the tenant had been in the kitchen fairly recently, fixing himself a snack. There was a half-eaten slice of stale bread and chees
e on the table. Beside it was a cup of tea, partially drunk. Flóvent had fumbled in the victim’s pockets for his wallet but couldn’t find one on his body or anywhere else in the flat.

  ‘I can’t believe anyone but a soldier would be capable of a clean job like that,’ said the photographer.

  The room was briefly illuminated by his flash, then he recommenced the laborious process of setting the heavy camera up in another spot and inserting new film.

  ‘It’s possible,’ said Flóvent. ‘I couldn’t say. You might know better.’

  ‘An officer, maybe?’ continued the photographer thoughtfully. ‘Someone in authority? It looks like an execution, doesn’t it? Betrays a kind of arrogance.’

  ‘You two seem to be thinking along very different lines,’ commented the doctor, tamping down his pipe. ‘Flóvent thinks a woman did it.’

  ‘No,’ said the photographer flatly, studying the man on the floor for a while before snapping another picture. ‘No, out of the question.’

  ‘Perhaps he was robbed,’ suggested Flóvent. ‘I can’t find his wallet.’

  From his inspection of the flat, he concluded that the man had lived alone. It was a typical bachelor’s apartment, small and spartan, largely free from ornament, but clean and tidy. The only extraneous object was the cushion used to muffle the shot. Apart from that the flat was sparsely furnished, and what furniture there was showed signs of wear: the sofa and armchair in the living room, the two old wooden chairs in the kitchen. On the sofa lay an open suitcase containing Lido cleaning products and several packs of Kolynos toothpaste. The merchandise was spattered with blood.

  The flash lit up the sordid scene one last time, then the photographer began to pack away his equipment. The doctor paused in the doorway to relight his pipe. Flóvent glanced back at the man on the floor, unable to comprehend the sheer violence that must have lain behind his killing: the implacable hatred, the anger, the utter ruthlessness.